Bokeh describes the rendition of out-of-focus points of light.Basically, bokeh is the quality of out-of-focus or “blurry” parts of the image rendered by a camera lens.

So, how do you get a good bokeh in your images?

Do you know if your lens produces good bokeh? Try this: focus on an object from a very close distance (as close as the lens will allow, keeping the object in focus), making sure that there are no objects at least 5-6 feet behind it. Make sure to be on the same level as the object itself, so that you are not looking down on it. Do not use a plain wall as your background – try to find a colorful background, preferably with some lights on it. A Christmas tree is a perfect background for a bokeh test.

Remember, bokeh is rendered by the lens, not the camera. Different lenses render bokeh differently due to unique optical designs. Generally, portrait and telephoto lenses with large maximum apertures yield more pleasant-looking bokeh than cheaper consumer zoom lenses. For example, the Nikon 85mm f/1.4D lens produces exceptionally good-looking bokeh, while the Nikon 18-135mm f/3.5-5.6G DX lens produces poor bokeh at the same focal length and aperture – all due to differences in optical designs of both lenses.

Canon EF 24-70mm f/2.8L USM Zoom Lens for Canon SLR Cameras

Once you find a good test subject with a suitable background, set your camera to “Aperture Priority” mode and set your aperture to the lowest number. On most consumer zoom lenses, the lowest aperture is typically f/3.5, while on prime and professional zoom lenses, it can be between f/1.2 and f/2.8. Once the aperture is set to the lowest value, take a picture of your subject and take a look at the rear LCD of your camera. The subject should be in focus, while the background is blurred. If you have a good lens, the bokeh should be soft and fuzzy, looking pleasing to the eye as shown in the example above. The circular reflections should be round and soft, with no hard edges.

History of the Term “Bokeh”

So you may ask:  How did such an unusual word, “Bokeh” come to describe the quality of an image’s out of focus area. Well, good question! It turns out that bokeh is coined from the Japanese word “boke” and “boke-aji”, which roughly translate to “fuzzy”  and “flavor of blur”, respectively.  The term was adopted into the English photographic lexicon by Mike Johnston, who currently runs the Online Photographer blog and was previously editor-in-chief for “Photo Techniques” Magazine in the late 1990’s. To give credit where credit is due, Johnston first learned of the term “bo-ke” from Oren Grad, a guy who has multiple graduate degrees (MD’s, PhD’s, and several masters degrees…a genius of sorts) and purportedly learned Japanese just to be able to read Japanese photo magazines! Awesome! The term boke-aji had already been used for some time in Japanese magazines in describing an image’s out-of-focus qualities. In reality, the term bokeh does not translate literally into one meaning in English. In the Japanese literature, there are many shades of the meaning of bokeh, but all boil down to some version of “blur quality.” Johnston was ultimately responsible changing the spelling from “boke” to bokeh to address proper pronunciation, and he popularized the term through a series of 3 commissioned articles on the topic, which were published in March and April 1997 issues of “Photo Techniques”. It was stressed that pronunciation was “bo” as in bone and “ke” as in Kenneth. So that’s how you say it.

Nicola Formichetti released in blog all of the Gaga shots today.

David LaChapelle is a photographer and video/commercial/film director who works in the fields of fashion, advertising, and fine art photography, and is noted for his surreal, unique, sexualized, and often humorous style.

David LaChapelle was born in Connecticut in 1969. He trained as a fine artist at North Carolina School of the Arts before moving to New York. Upon his arrival, LaChapelle enrolled at both the Art Students League and the School of Visual Arts. Not yet out of high school, he was offered his professional job by Andy Warhol to shoot for Interview Magazine.

LaChapelle’s images have forged a singular style that is unique, original and perfectly unmistakable. He has photographed personalities as diverse as Tupac Shakur, Kayne West, Lady Gaga, Madonna, Amanda Lepore, Eminem, Philip Johnson, Lance Armstrong, Pamela Anderson, Uma Thurman, Elizabeth Taylor, David Beckham, Paris Hilton, Jeff Koons, Leonardo DiCaprio, Hilary Clinton, Muhammed Ali, and Britney Spears, to name just a few. Once called the Fellini of photography, LaChapelle has worked for the most prestigious international publications and has been the subject of exhibitions in both commercial galleries and leading public institutions worldwide.

Here are some of his art pieces

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Amateur Photographer is the world’s oldest consumer weekly photographic magazine, first hitting the newsstands on October 10 1884. Since then, AP (as it is affectionately known to its readers) has been the bible for both amateur and professional photo-enthusiasts around the world. It has helped generations of photographers to improve their skills.

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